Best of 2025: Theatre

I saw 54 shows this year; these were my favourites.

Exceptional

A Streetcar Named Desire — Worth it purely for Jessie Buckley and Paul Mescal’s exceptional performances.

Richard II – Likewise, a standout due to Jonathan Bailey, who delivered a perfectly legible and heartfelt Shakespearean performance (no easy feat!).

The Seagull — Come for Cate Blanchett, stay for Thomas Ostermeier’s spectacular direction.

Scenes from a Repatriation — The Royal Court’s been firing on all cylinders this year, but this was the highlight.

An Interview — A very intimate experience from Deadweight that once again redefines what theatre could or should be. Magnificent.

Showmanism — A tour de force performance from Dickie Beau paired with really excellent staging and direction.

Till The Stars Come Down — Populist, yes, but very funny and rather moving at points, and also willing to take risks that shows of this sort rarely do!

Tom at the Farm — The highlight of this year’s Fringe, and an all-round spectacular production. I’m still thinking about it months later: a deeply visceral, agonising show.

A Gambler’s Guide to Dying — The other Fringe highlight.

Horse of Jenin — A work about atrocities that is also uproariously funny, using a structure that perfectly captures the dissonance of life under occupation.

ROHTKO — On-stage cameras and screens are getting very dull, so thank god for Łukasz Twarkowski, who brings cinematography worthy of a Wong-Kar Wei film into the theatre.

We Should Never Have Walked On The Moon — A joyous, full-throttled takeover of the Southbank Centre, this featured some of the best dance I’ve seen in years.

Deaf Republic — The other Royal Court highlight. A highly innovative show, where the formal experimentation actually complemented the text rather than just being a gimmick.

Other very good shows

Weather Girl, The Shop for Mortals and Fools, Oedipus, Bacchanalia, Elektra, The Brightening Air, Evita, Girl From The North Country, My Neighbour Totoro, Echo, Kanpur: 1857, Undersigned, The Weir, The Line of Beauty, Romans, The Lady From The Sea, Christmas Day, The Red Shoes, Lander 23

Rather average stuff

Otherland, The Tempest, Hedda Gabler (Deadweight), Dealer’s Choice, A Moon for the Misbegotten, Wild Thing, Eulogy, Journey to the West, Intimate Apparel, The Maids, The Pitchfork Disney, Born With Teeth, Inter Alia

Skippable

A Knock on the Roof, Unicorn, Punch, Make It Happen, My Name is Rachel Corrie, Hamlet: Wakefulness

Best of 2025: Books

I only read 13 books in 2025 — embarrassing! But I had a much better hit rate than normal. Here’s what I liked (and didn’t).

Exceptional

Heart Lamp, by Banu Mushtaq

Without doubt my favourite book of the year. An astonishing collection of short stories that truly immerse you in the world of Muslim women’s life in rural India. It’s beautifully written and translated, cleverly choosing not to translate every word. The result is a collection that feels truly foreign, and is all the better for it.

Hurricane Season, by Fernanda Melchor

Much like Heart Lamp, a distinctly foreign work — and an equally devastating read. A meditation on masculinity and violence in Mexico, it’s a politically interesting work that also has a gripping narrative full of surprises.

Perfection, by Vincenzo Latronico

A painfully accurate portrayal — and dismantling of – millennial malaise. It’s impressively spot-on with the details; describing people and places you definitely know without ever straying into pastiche. A novel that forces you to really feel the emptiness of modernity.

The Last Samurai, by Helen DeWitt

The only DeWitt I’d read before this was The English Understand Wool , so I was really struck by the formal inventiveness of this. A fascinating book; I feel like reading it is the closest I’ll ever come to experiencing how awful and wonderful it must be to be a genius.

Snow Business, by Philippa Snow

I saw this in an art gallery bookshop and was smitten with how tiny a book it was. Turns out it’s also an excellent work! In a series of essays, Snow dissects both high- and low-culture, with fantastic pieces about David Lynch and Vanderpump Rules in particular. She reminds me of David Foster Wallace, in all the best ways: someone applying a critical lens to truly “popular” culture.

James, by Percival Everett

Both hilarious and devastating, this retelling of Huckleberry Finn was a real delight (even though I haven’t read Finn since I was very young). Highly recommend the audiobook, which adds an extra layer of comedy on top of an already very funny work.

Other books I’d recommend

La Belle Sauvage, So Late in the Day, The Anti-Catastrophe League, On the Calculation of Volume: Book I, The Invention of Morel, The Optimist, Empire of AI, The Secret Diary of Laura Palmer, David Lynch: Room to Dream

And books that were fine but skippable

The Secret Commonwealth, The Rose Field, Katabasis, If Anyone Builds It, Everyone Dies